VILLAGE DOG

  • Random
  • Archive
  • RSS
  • Ask me anything
'\x3cdiv id=\x22photoset_44590569884\x22 class=\x22html_photoset\x22\x3e \x3ciframe id=\x22photoset_iframe_44590569884\x22 class=\x22photoset\x22 scrolling=\x22no\x22 frameborder=\x220\x22 height=\x22676\x22 width=\x22500\x22\x0a style=\x22border:0px; background-color:transparent; overflow:hidden;\x22 src=\x22http://villagedog.tumblr.com/post/44590569884/photoset_iframe/villagedog/tumblr_mgzyb0ciZN1s364v8/500/false\x22\x3e\x3c/iframe\x3e\x3c/div\x3e'

Part of the Undocumented Migration Project

http://undocumentedmigrationproject.com/ 

stateofexception:

Photographs by Richard Barnes

    • #Richard Barnes
  • 2 months ago > stateofexception
  • 5
  • Comments
  • Permalink
  • Share
Richard Barnes, Academy Painter with Animals, 2004. C-print, from the series Animal Logic, courtesy Blue Sky Gallery.
Via Domus (photo-essay + interview)
Pop-upView Separately

Richard Barnes, Academy Painter with Animals, 2004. C-print, from the series Animal Logic, courtesy Blue Sky Gallery.

Via Domus (photo-essay + interview)

    • #Richard Barnes
    • #taxidermy
    • #natural history now
    • #giraffes
    • #zebras
  • 1 year ago
  • 10
  • Comments
  • Permalink
  • Share
Richard Barnes, Murmur 14, 2006. More - and sharper-quality - images at Barnes’ website.
About the series:

Richard Barnes’s photographs capture the double nature of the [starlings] — or  at least the double nature of our relationship to them — recording the  pointillist delicacy of the flock and something darker, almost sinister  in the gathering mass. Many of Barnes’s photographs… were taken over two years in  EUR, a suburb of Rome that Mussolini planned as a showcase for fascist  architecture. The man-made backdrop only enhances the sense of the vast  flock as something malign, a sort of avian Nuremberg rally.
It is, of course, natural for birds to surrender individual autonomy to  the flock; according to the Roman ornithologist Claudio Carere, who has  identified 12 basic flock patterns, the starlings are primarily trying  to evade falcons. But we project onto the natural world a large measure  of ourselves. In ancient Rome, augurs studied the flight patterns of  birds to divine the will of the gods; part of the fascination of the  starlings is the way they seem to be inscribing some sort of language in  the air, if only we could read it.

Image source: Pruned.
Pop-upView Separately

Richard Barnes, Murmur 14, 2006. More - and sharper-quality - images at Barnes’ website.

About the series:

Richard Barnes’s photographs capture the double nature of the [starlings] — or at least the double nature of our relationship to them — recording the pointillist delicacy of the flock and something darker, almost sinister in the gathering mass. Many of Barnes’s photographs… were taken over two years in EUR, a suburb of Rome that Mussolini planned as a showcase for fascist architecture. The man-made backdrop only enhances the sense of the vast flock as something malign, a sort of avian Nuremberg rally.

It is, of course, natural for birds to surrender individual autonomy to the flock; according to the Roman ornithologist Claudio Carere, who has identified 12 basic flock patterns, the starlings are primarily trying to evade falcons. But we project onto the natural world a large measure of ourselves. In ancient Rome, augurs studied the flight patterns of birds to divine the will of the gods; part of the fascination of the starlings is the way they seem to be inscribing some sort of language in the air, if only we could read it.

Image source: Pruned.

    • #birds
    • #richard barnes
    • #starlings
    • #unloved others
    • #dot dash sky code
  • 1 year ago
  • 15
  • Comments
  • Permalink
  • Share

Something about giraffes. Via mattermedia:

Screen_shot_2011-04-13_at_18

Giraffe, 2005

Giraffes seem to provoke questions of forms and limits for humans (for obvious reasons perhaps). This image by Richard Barnes asks these questions in startlingly visceral terms. What sort of force must be brought to bear to move a giraffe into the right position - visually, physically, by ropes and harness and pulley and levers - in the representational schema of natural history?

Previously in giraffes.

(via mattermedia-deactivated20121109)

    • #giraffes
    • #natural history
    • #reblog
    • #richard barnes
    • #ruminants
    • #natural history now
  • 2 years ago > mattermedia-deactivated20121109
  • 2
  • Comments
  • Permalink
  • Share

Portrait/Logo

About

Animals, shapes, words, various.

paperworkexplosion.tumblr.com sevendogyears.tumblr.com

Scroll down for copyright & licensing info.

Pages

  • SOFT SPOTS
  • DOG PEOPLE PROJECT

Other Haunts

  • @c_defamiliaris on Twitter
  • c_defamiliaris on Pinboard

Following

Stuff I Fancy

  • Photo via cartoonstudies

    joyteeth:

    DeepSpaceDog - Joseph Lambert

    Photo via cartoonstudies
  • Photo via robertogreco

    Save Yourself First; Save the Life Together, Hit Man Gurung, 2012 (via Artbound: “Documenting Exodus: Hit Man Gurung and Nepal’s Departing Youth”)

    Photo via robertogreco
  • Photo via darksilenceinsuburbia

    Peter Shelton. Whitecoat, 1988-2000.

    Via

    Photo via darksilenceinsuburbia
  • Photoset via 7or8

    from Untitled (Comic Book) by Frédérique Rusch, 2013

    via

    Photoset via 7or8
See more →
  • RSS
  • Random
  • Archive
  • Ask me anything
  • Mobile

Rights to all images, videos, and quoted text belong to original artists and authors. Other writing on this blog are licensed to me under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License (http://creativecommons.org/licenses/by-nc-sa/3.0/). Effector Theme by Carlo Franco.

Powered by Tumblr